Netherlandish Mannerist Painter, ca.1500-1566 was a Flemish Northern Renaissance painter. He was born in Hemiksem, then called Hemessen or Heymissen. Following studies in Italy, in 1524 he settled in Antwerp. A mannerist, his images focused on human failings such as greed and vanity. Like his daughter, Catarina van Hemessen, he also painted portraits. Jan Sanders van Hemessen was a Flemish Northern Renaissance painter. Jan Sanders van Hemessen was from Netherlands. The type of movement he did was mannerism Jan Sanders was born in Hemessen but settled in Antwerp in 1524 after studying in Italy. Hemessen specialized in scenes of human character flaws such as vanity and greed. His pictures are also normally religious and his style helped found the Flemish traditions of genre painting. Hemessen was also a portrait painter, which influenced his daughter to become a Flemish Northern Renaissance painter as well. The Surgeon was painted by Jan Sanders Van Hemessen, in 1555. The oil painting is in a museum called Museo Del Prado, which is in Madrid, Spain. I think the scene painted by Jan Sanders van Hemessen shows a stone cutter at a fair. The surgeon, who is clearly happy that his operations have been successful, painstakingly moves his knife towards the stone, which is already visible. Behind him hang stones which have been successfully cut out of the head of other patients as a sign of his skill.  Related Paintings of HEMESSEN, Jan Sanders van :. | Isaac Blessing Jacob fg | Christ Carrying the Cross (detail | The Prodigal Son sf | The Descent from the Cross sf | Judith sf |
Related Artists:
CAMPEN, Jacob van
Dutch Baroque Era Painter, 1595-1657 Chief exponent of Classicism in The Netherlands. He studied architecture in Italy and was influenced by the work of Scamozzi and Palladio. With his Coymans House on the Keizersgracht, Amsterdam (1624), he introduced the Palladian style to The Netherlands. His most refined work is the Mauritshuis in The Hague (1633?C5), which has a Palladian plan, elevations featuring a Giant Order of Ionic pilasters set on a plain base, a pedimented central section given little emphasis, and a hipped roof. Much grander is the Town Hall (now Royal Palace), Amsterdam (1648?C55): it has two internal courtyards separated by a huge central hall, façades with two superimposed Giant Orders of pilasters, and a large projecting pedimented central section over which is a domed lantern. His Nieuwe Kerk (New Church), Haarlem (1645?C9), is based on the quincunx plan (essentially a Greek cross within a square), with square Ionic crossing-piers and a groin-vault over the crossing. He was responsible for the Accijnshuis, Amsterdam (1638), the Noordeinde Palace, The Hague (1640), and, with others, the decorations of Post's Huis-den-Bosch, Maarssen, near Utrecht (c.1628).
Andrea Appiani
Italian Neoclassical Painter, 1754-1817 was an Italian neoclassical painter. He was born at Milan. He had been intended to follow his father's career in medicine but instead entered the private academy of the painter Carlo Maria Giudici (1723?C1804). He received instruction in drawing, copying mainly from sculpture and prints. He then joined the class of the fresco painter Antonio de' Giorgi, which was held at the Ambrosiana picture gallery in Milan. He also frequented the studio of Martin Knoller, where he deepened his knowledge of painting in oils; and he studied anatomy at the Ospedale Maggiore in Milan with the sculptor Gaetano Monti. His interest in aesthetic issues was stimulated by the classical poet Giuseppe Parini, whom he drew in two fine pencil portraits. In 1776 he entered the Accademia di Belle Arti di Brera to follow the painting courses of Giuliano Traballesi, from whom he received a mastery of the fresco technique. His best pieces are in the church of San Maria presso San Celso and the royal palace at Milan, almost rival those of his master. He was made pensioned artist to the Kingdom of Italy by Napoleon, but lost his allowance after the events of 1814 and fell into poverty. During his stint as court painter he rendered portraits of Napoleon and the chief personages of his regime.
Marie Egner
painted On the Danube near Vienna in 1912